Korean Wave Culture Dalam Video On Demand (Pengaruh Audiens Atas Budaya Korea Dalam Program Variety Show Running Man)

Authors

  • Feriz Rizki Aditya Universitas Merdeka Malang
  • Irma Mufita Yulistyowati Universitas Merdeka Malang
  • Yesischa Margaretha Dwi Kurniawati Universitas Merdeka Malang

DOI:

https://doi.org/10.59581/harmoni-widyakarya.v2i2.2908

Keywords:

Variety Show, Running Man, Video on Demand, Cultural Understanding

Abstract

South Korean culture or what can be called the Korean Wave has spread throughout the world, including Indonesia. The Korean Wave itself spreads from various fields, such as songs, drama, language, games, even variety show programs can also be used as intermediaries to spread culture. One of the interesting and unique variety show programs is Running Man. The Running Man program can not only be enjoyed and seen by Korean citizens, but the whole world can also watch it using video streaming technology called Video on Demand (VoD). The method used in this research is descriptive quantitative and descriptive quantitative research, data collection using questionnaires, with young adult subjects aged 16-29 years who have watched Running Man. The research results showed that the results of the questionnaire distribution included 26 respondents in the city of Malang aged around 16 to 29 years. So there are around 96.2% of them who know the variety show program Running Man, there are 92.3% who have watched the variety show program Running Man and there are as many as 7 people watching more than 300 episodes and 9 people watching 1-50 episodes of more than 600 episodes broadcast.

References

Cindrakasih, R. R. (2021). Dinamika Globalisasi Budaya Korea di Indonesia dan Pola Konsumsi Remaja “Korean Wave” di Media Sosial Instagram. Jurnal Public Relations-JPR, 2(1), 17–28.

Garaika,& Darmanah. (2019). Metodologi Penelitian. CV. HIRA TECH.

Gao,Chenxuan & Wu, Anqi & Yang, Qingyuan. (2022). Localizing the Korean Variety Shows in China Review of the Differences Between Policy, Market and Culture. 10.2991/assehr.k.211220.004.

Haqqu,R. (2020). Uji Uses and Gratification dalam Intensitas Menonton Program Talk Show melalui Televisi. CoverAge: Journal of Strategic Communication, 11-18.

Humaizi, M. (2018). Uses and Gratification Theory. Medan: USU Press

Ishaq, Ropingi & Mahanani, Prima. (2018). Social Media, Public Space, And Culture 'Pop'. ETTISAL Journal of Communication. 3.15.10.21111/ettisal.v3i1.1928.

Kano, K., & Dolan, E. (2023). Data Compression Analysis of Multimedia Video on Demand and DEMAND TV Broadcast Systems on the Network. International Journal of Cyber and IT Service Management, 3(1), 48–53.

Kim, Kyung & Li, Tian. (2018). Running Man: The Korean Television Variety Program on the Transnational, Affective Run. Telos. 2018. 163-184. 10.3817/0918184163.

Lee, H. E., & Choi, H. S. (2016). A Study on the Effect of Entertainment Show on the Tourism. Korea Contents Soc, 215-216.

Lee, Sooyeon. (2012). The Structure of the Appeal of Korean Wave Texts. Korea Observer. 43. 447-469.

Little,Thomas & Venkatesh, Dinesh. (1994). Prospects for Interactive Video-on-Demand. Multimedia, IEEE. 1. 14.10.1109/MMUL.1994.318978.

Kano, K., & Dolan, E. (2023). Data Compression Analysis of Multimedia Video on Demand and DEMAND TV Broadcast Systems on the Network. International Journal of Cyber and IT Service Management, 3(1), 48–53.

Mahardika, Maryani, E., & Rizal, E. (2022). Budaya Korean Wave Sebagai Komoditas Industri Media Indonesia. Jurnal Ilmiah Ilmu Komunikasi Communique , 5(1), 121–133. www.ejurnal.stikpmedan.ac.id

Prasanti, R. P., & Dewi, A. I. N. (2020). Dampak Drama Korea (Korean Wave) terhadap

Pendidikan Remaja. Lectura: Jurnal Pendidikan. http://journal.unilak.ac.id/index.php/lectura/article/view/4752

Riva Junita Muhammad, N., Humaizi, H., & Pohan, S. (2021). Motif Menonton Tayangan Variety Show Running Man dan Pemenuhan Kebutuhan Penonton. Jurnal Sosial Teknologi, 1(12), 536–545. https://doi.org/10.59188/jurnalsostech.v1i12.256

Sugiyono. (2008). Metode Penelitian Kuantitatif Kualitatif R&D. Bandung: Alfabeta.

Wayne,Michael. (2017). Netflix, Amazon, and Branded Television Content in Subscription Video On-Demand Portals. Media Culture & Society. 40. 10.1177/0163443717736118.

Zink,Michael. (2013). Scalable Video on Demand: Adaptive Internet-Based Distribution. 1-264. 10.1002/9780470022702.

Downloads

Published

2024-03-21

How to Cite

Aditya, F. R., Yulistyowati, I. M., & Kurniawati, Y. M. D. (2024). Korean Wave Culture Dalam Video On Demand (Pengaruh Audiens Atas Budaya Korea Dalam Program Variety Show Running Man). Harmoni: Jurnal Ilmu Komunikasi Dan Sosial, 2(2), 13–24. https://doi.org/10.59581/harmoni-widyakarya.v2i2.2908

Similar Articles

1 2 3 4 5 6 7 8 9 > >> 

You may also start an advanced similarity search for this article.